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Direction 

Elements of Design

 

 

 

The element of direction offers basically three options- horizontal, vertical or oblique.
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The dominant direction in an artwork has a powerful influence over the atmosphere generated by the work. It is an element that is easily overlooked, but when taken advantage of, is an extremely useful tool.
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Verticle Direction Notre Dame de Paris – Eastern Facade

Notre Dame de Paris – Eastern Facade

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The dominant vertical direction seen in Notre Dame de Paris gives a feeling of lightness, balance and elegance. The open flying buttresses and steeply pitched turrets defy the solid stone construction and make the building appear to be floating upwards.

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Houses of Parliament -London, Charles Barry – 1840 Dominant Horizontal Direction

Houses of Parliament -London, Charles Barry – 1840

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The British Houses of Parliament employ the same vertical gothic thrust but, with the addition of a dominant horizontal direction, the feeling is more of power, solidity and permanence.

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Geometric and Organic Shapes © John Lovett

30 St Mary Axe – London, Foster and Partners, 2004

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30 St Mary Axe in London takes sweeping diagonal lines spiralling to its apex to give the building a strong upward thrust and dynamic animated character of power and movement.

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The same change in character can be seen in the following three photographs. The subject is the same in each, the change in directional emphasis creates a different atmosphere in each image.

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Dominant Vertical Direction  © John Lovett

Dominant Vertical Direction

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Dominant Horizontal Direction   © John Lovett

Dominant Horizontal Direction

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Dominant Diagonal Direction © John Lovett

Dominant Diagonal Direction

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The vertical emphasis in the first image gives a feeling of orderly formality the second horizontal emphasis feels calm and stable while the third diagonal emphasis feels active and animated.

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Direction is an element that should be considered and controlled in a design. Emphasise the direction that reinforces the atmosphere you are trying to generate.

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