Painting Varnish​

 

 
 
Traditionally, painting varnish was never used for watercolor, pastel or gouache paintings. They were framed under glass for preservation and protection. Because of the hanging difficulties due to reflection and the size restrictions imposed by large sheets of glass, various painting varnishes and waxes have made it possible to present watercolor and mixed media work in a similar way to oil or acrylic.

Acrylic Painting Varnish

The most common way to seal and preserve a work on paper, without using glass, is to coat it with an acrylic varnish. This is a non reversible process, so make sure your painting is signed and finished before applying the painting varnish.

 

Acrylic painting varnishes come in matt, satin and gloss finishes. They can be brushed or sprayed on to produce an impervious protective final layer. Gouache and pastel can shift in tone with the application of an acrylic picture varnish. The effect is similar to wetting the surface so test before applying the varnish.

Fixatives

If the varnish is to be brushed on and charcoal or pastel are incorporated, a light spray with fixative, before applying the painting varnish, is a good idea. If the varnish is to be sprayed on the fixative is not necessary as there will be no disturbance to the painting surface.

 

Fixative is available in spray cans or by the bottle. The device (above right) allows fixative to be sprayed on by blowing through the short tube. This is fine on small work, but don’t attempt to fix a mural by this method!

Picture Varnish Application

 

The best brush for applying Acrylic painting varnish is the short bristle golden nylon. They don’t shed bristles and leave no brush marks. When the painting varnish is first applied it will appear slightly milky but this disappears as it dries. Avoid over brushing when you apply the varnish – just enough to smooth it out. Overworking with a brush can cause the varnish to dry to a milky finish. One or two coats is usually enough. Allow the first coat to dry thoroughly before applying the second coat.

 

If you are regularly varnishing large areas a cheap compressor and spray gun make the job quick and easy. Make sure your compressor has a water trap on the air line. Three or four light coats applied at ninety degrees to one another give the best coverage.

 

Spraying in horizontal sweeps and turning the painting around ninety degrees between coats makes application easy. I usually spray on a couple of coats at ninety degrees to one another, let them dry then repeat the process.

Don’t apply the varnish too heavily and create runs.

Acrylic picture varnish is water based so cleaning up spray equipment and brushes is as simple as thoroughly rinsing under a tap.

Wax Painting Varnish
 

An alternative to Acrylic varnish is a wax varnish. Wax varnishes are made from pure bees wax with solvents added so they can be easily spread. Bees wax has been used as a painting medium and preservative since early Egyptian times. It is one of the most stable and long lasting finishes available.

 

Bees wax based varnishes are available from a number of manufactures. They all seem to do the same job and appear to be of similar make up. Although they are branded as oil paint varnishes, they all work as a final painting varnish over water based media on paper, canvas or other surfaces.

Application is by brush or simply rubbing in with fingers. Once the wax has been applied to the painting it can be buffed with a soft cloth to the desired gloss.

 

Wax painting varnish has a greasy, paste like constancy and smells like honey. If you are not keen on getting your hands covered in it, a bristle brush can be used to apply it.

Wax varnish requires more effort to apply but it produces a beautiful, subtle finish that penetrates and seals the surface as it intensifies colors. Wax varnish is always a final step. Once applied to water based media, no further painting can take place.

Wax Varnish Links

Langridge Wax Varnish (Australia)

Dorlands Wax Medium (Dick Blick)

Art Spectrum Matt Wax Varnish is available in Australia

through Senior Art Supplies and The Art Shop

 

Not having to frame water based media under glass means there is no restriction on size and the problem of reflections is removed.

 

It is a good idea to use a couple of old paintings or specially prepared sacrificial works to test the effects of these painting varnishes. Once you are familiar with the results you can confidently apply these finishes to your work and enjoy the advantages they provide.

 

 

Being freed from the restrictions of glass opens the door to large mixed media works. Combinations of watercolor, gouache, gesso, acrylic ink and charcoal on paper, canvas, board or composite panel can now be permanently preserved and protected by the application of painting varnishes.

See “Painting Presentation“  and “Paint Big” for more information on finishing your work.

 

 

Author: John Lovett

John Lovett

 

John Lovett is an Australian artist working in oils, watercolor and mixed media. Since commencing his career John has held over thirty five solo exhibitions and taken part in many joint ones. John’s work is represented in private and corporate collections in Australia, United Kingdom, Europe, Asia and USA. John’s passion for his work and his open easy approach to teaching make his books, DVD’s and workshops thoroughly enjoyable, extremely informative and always very popular. His articles are regularly featured in “International Artist” magazine.      

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info@johnlovett.com

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PO Box 254

Currumbin

Queensland   4223

Australia.

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© 2017 John Lovett (all text and images unless otherwise stated)