Gradation of Shape

 

 

 

 

Eadweard Muybridge’s studies of animal and human motion, carried out in the late 1870’s, provided the first glimpse of action faster than the human eye could analyse. The images show a gradation of shape captured by multiple cameras set up along a special track. The backdrop along the track was designed to provide maximum contrast with the subject and a series of cameras were fired in sequence, initially via trip wires then later by clockwork.

The resulting series of images were of great benefit to artists and scientists of the time.

Muybridge, Eadweard, (1830-1904) Animal Locomotion

The complex job of tightly covering the human body with steel armour called for a careful gradation in shape from one panel to the next. The armour had to offer protection, be as light and manoeuvrable as possible and also, in the case of ceremonial armour, look impressive – a tall order for the materials and technology of the time.

Medieval Armour

John Lovett

 

John Lovett is an Australian artist working in oils, watercolor and mixed media. Since commencing his career John has held over thirty five solo exhibitions and taken part in many joint ones. John’s work is represented in private and corporate collections in Australia, United Kingdom, Europe, Asia and USA. John’s passion for his work and his open easy approach to teaching make his books, DVD’s and workshops thoroughly enjoyable, extremely informative and always very popular. His articles are regularly featured in “International Artist” magazine.      

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© 2017 John Lovett (all text and images unless otherwise stated)