finished.jpg

Close Up Subjects

Interesting Things Right Beneath Your Feet

John Lovett Painting in Studio

Tiny Things

It can be difficult sometimes trying to find a suitable painting subject. A trick that always works for me is to simply walk outside and look at the ground. Tiny patches of stones, plants, weeds, ferns etc. can all make great painting subjects. What we need to do is take the time to look carefully and consider what we are looking at as simply an abstract arrangement of shapes, colors, lines, tones and textures. You don't need to be in an exotic location, a suburban front yard, vacant block or council park all have small patches of interesting elements.

Photograph of garden pond detail

I found these rocks and ferns beside a small garden pond. What appealed to me was the variation in shapes, textures and colors. I also liked the subtle hint of blue sky reflected in the water.

Charcoal thumbnail sketch

Before I start to paint I always do a quick thumbnail sketch to shuffle around the various elements and establish a suitable area to focus attention on.

Charcoal drawing on watercolor paper of close up garden details

Once I’m happy with the arrangement in the sketch I lightly draw that onto my watercolor paper (in this case 300gsm Arches Medium cold pressed).

I like a medium charcoal pencil for this initial drawing - it can be left as part of the finished painting without being shiny and obvious like graphite.

Watercolors used in this painting

The colors I chose for this painting were Quinacridone Gold, Permanent Alizarin Crimson, Phthalo Blue and Phthalo Green

First washes

Onto dry paper varying mixtures of Quinacridone Gold, Phthalo Blue and Phthalo Green were applied with a 1⁄4 inch long flat brush

Background washes

After the first washes had dried a small brush was used to cut clean water in around the fern fronds. This water was spread out across the paper with a 1⁄2 inch bristle brush, avoiding the leaves and fronds.

Into the wet area I applied a soft green/gray background. While the background was still wet a dark mixture of Quinacridone Gold, Phthalo Blue and Alizarin Crimson was dropped in behind the leaves at the focal area.

Contrasting dark tones

A small area of the dark mixture was extended over to the left. While the dark mixture was drying a wash of Phthalo Blue was worked over the bottom left and top right corners to suggest the reflected sky.

More details and warmer colorsadd interest to the painting

Some more warmth was introduced into the stones on the right hand side.

The warmth in the stones was carried through the focal area with a wash of Quinacridone Gold mixed with Alizarin Crimson. As this was drying, pure Alizarin was splashed onto that part of the painting.

Close up watercolor of garden pond details

Once everything had dried some Burnt Sienna ink lines were scratched over the surface and sprayed lightly with a mist of water to make them bleed

Finally, some of the dark areas were adjusted and more subtle details of fronds and stones were added.

Although this is a simple subject, the suggestion of subtle fronds, stones and twigs build up interest and give the appearance of intricate detail. The great thing about these subjects is that you can rearrange, add or leave out as much or as little as needed to gain the result you are after.

Large painting of close up details

Again the subject is a tiny patch of undergrowth but this time, painted on a large 4’x3’ panel. Eliminating much of the background emphasises the diagonal thrust of the subject.

This little sketch was great fun to paint - quick and spontaneous with a simple subject of dirt, sticks and leaves.

Small watercolor sketch of close up details

Next time you are stuck for something to paint, wander outside and have a careful look around. You will be surprised what you can find right under your feet.

The great thing about these simple subjects is the fact that you can edit, rearrange, eliminate until you are happy with the composition. 

Author: John Lovett