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This is the
part where you hold your breath! Mix up a rich, dark
green using Phthalo Blue, Burnt Sienna and Indian Yellow.
Use plenty of pigment and just enough water to make it
flow. Don't be afraid to make it too dark, as you apply
and feather out the foliage it will become lighter
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Apply the
paint in a random, fractured shape to the dry paper. Use
your 1" flat brush (or even a large worn out old
bristle brush) Keep the brush almost parallel to the
paper and use a scrubbing action with the side of the
brush to get those rough, jagged edges - don't be tidy
and don"t be careful. While the paint is still wet, thoroughly
wash your brush and dry it slightly. Run your damp brush
once around some of the hard edges to soften them
slightly
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Here you can
see the variation in the treatment of the edges. The
feathered edge on the bottom of the main clump was made
by running a damp brush softly over the wet hard edge and
letting it bleed out. Aim for variation in the edges -
hard, soft, sharp, lost. Variation in tone and colour
also keeps the foliage interesting.
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The final
step to turn these dark clumps into trees is to add some
trunks and branches. Use the edge of your 1" brush
for the trunks and your #2 rigger or liner brush for the
finer branches. Some cool grey shadow in the foreground
holds the eye in the painting. A mixture of Burnt Sienna
and Alizarin splashed into the base of the trees adds
interest and helps tie the colours in the foliage to the
rest of the painting. Click here for a larger version of the finished demo
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Back to part 1
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